Thomas Hardy is one
of the most distinguished English writers of all time. One of the most prolific
poets and novelists in history, Thomas was born on June 2, 1840, in the
English village of Higher Bockhampton, Dorset, England. His youth
was impacted by the musicality of his father, Thomas Hardy sr., who was
a stonemason and builder, and his mother Jemima Hand Hardy who passed on
her love of reading and books to Hardy. His primary education lasted until the
age of seventeen. Because of the financial crunch in his family, he was
apprenticed as an architect to James Hicks. His rural background,
his love for music, and his apprenticeship as an architect influenced his
subject matter and form of his writings.
He wrote numerous novels, which reflect the social and moral concerns of
the Victorian Era. His first prose appeared in 1865. his first novel Desperate
Remedies was published in 1870. His notable works are Tess of D’Urbervilles, Judge the obscure, The
Return of the Native (1878), The Mayor of the Casterbridge (1886)and others
ascertained Hardy as a formidable writer. His first volume of the poem was Wessex
Poems(1898), a compilation written over 30 years. Furthermore, Hardy’s
poems of war(based on the Boer War and World War I) spoke eloquently against
some of the horrors of the war, such poems include works as Drummer Hodge
and In the Time of The Breaking of Nations. Best known for his
expression of love, nature imagery, the solemnity of feelings
and intricately built structure.
In 1910, Thomas Hardy was bestowed the Order of Merit. Leaving
all these legacy behind, Hardy breathed his last on 11 January 1928.
ABOUT THE POEM
The Darkling Thrush is
one of Hardy’s best poems. The hymn-like metre blends with the Keatsian image
of the thrush to produce one of Hardy’s most lyrical poems. The poem was
originally published on 29th December 1900, under the title “ The Century’s End 1900 ”
in The Graphic. Here, he describes the cessation of the old world at the
turn of the century focussing on the end of the 19th century and the
onset of the 20th century. A bleak picture of despair and dullness
is portrayed in the lyrical style of the poem.
The conditions of the present desolate vacuum could be traced with the
prevailing Industrial Revolution and the changes it brought about
in society, polity, economy and religious beliefs.
The poet is deeply sorrowful of this decaying condition. Suddenly, a bird ( the
thrush) appears and hid singing fills the air with a new ray of hope. The poet
finds his soul rising and with it the realisation that there is still some prospect
in the world.
The Darkling Thrush becomes a substantial poem which does not just project
the perception and feelings of one individual but is a representative of the mood
of an age.
STRUCTURE OF THE POEM
The poem
I
leant upon a coppice gate
When
Frost was spectre-grey,
And
Winter’s dregs made desolate
The
weakening eye of day.
The
tangled bine-stems scored the sky
Like
strings of broken lyres,
And
all mankind that haunted nigh
Had
sought their household fires.
The
land’s sharp features seemed to be
The
Century’s corpse outleant,
His
crypt the cloudy canopy,
The
wind his death-lament.
The
ancient pulse of germ and birth
Was
shrunken hard and dry,
And
every spirit upon earth
Seemed
fervourless as I.
At
once a voice arose among
The
bleak twigs overhead
In a
full-hearted evensong
Of
joy illimited;
An
aged thrush, frail, gaunt, and small,
In
blast-beruffled plume,
Had
chosen thus to fling his soul
Upon
the growing gloom.
So
little cause for carolings
Of
such ecstatic sound
Was
written on terrestrial things
Afar
or nigh around,
That
I could think there trembled through
His
happy good-night air
Some
blessed Hope, whereof he knew
And
I was unaware.
The Darkling Thrush is
a meditative lyric poem comprising of four eight lined stanzas, with a rhyme
scheme of ABABCDCD. It is written in iambic tetrameter. The lines one,
three, five and seven have four stressed syllables, whereas lines four,
six and eight carrying three stressed syllables. The poet chose to
bring symmetry in the poem as is evidenced by the simple structure of the poem.
Poet has neatly allocated 4 stanzas
to 2 parts, firstly, the dark winter evening, then the thrush. Each
stanza is an octet – consisting of 8 lines each. We find several self-coined
words of Hardy in this poem like–outleant, blast-beruffled, spectre-grey providing the
ordered rhythm to the poem. Such self-coined words which are not prevalent in
English are termed as nonce words.
The tone of the poem, in the beginning, is
one of doubt and surprise amazement as could be sensed from the lines “At once a voice arose among / The bleak
twigs overhead / In a full-hearted evensong / Of joy illimited; / An aged
thrush, frail, gaunt, and small”. The tone surprisingly changes at the end when a ray of hope and gleams
in the air and mood is changed from that of astonishment to a perplexed reflection
regarding the unsolved mysteries of life as can be found in the lines “ Some blessed Hope, / whereof he knew / And I
was unaware”.
LITERARY DEVICES
OF THE POEM
The poem has
the following poetic devices:-
1. Simile– A figure of speech in which a likeness between two different things is stated in an explicit way, using as or like.
· The tangled bine-stems scored the sky
Like strings of
broken lyres
2. Personification–
·
Frost has been treated as a
ghost.
·
The Century, like a human
being dies and has its dead body ready for the burial.
·
The thrush is not a mere
bird, it has ‘his soul’ and he has his ‘
happy good- night song’.
3. Alliteration– It is the close repetition of the consonant sounds.
·
The tangled bine-steams
scored the sky
·
Had sought their household fires.
·
His crypt the cloudy
canopy
4. Metaphor – It is a figure of speech in which comparison between two different things is implied, but not clearly stated.
· The weakening eye of the day — comparison of the setting sun.
· His crypt the cloudy canopy— Comparison of cloud cover to the
tomb.
· Frost as ‘ spectre- grey’(a pale, dull ghost-like).
5. Assonance- “At once a voice arose among.”
THEME OF THE
POEM
Nature and the
Decline of Human Civilization – The Darkling Thrush seems to be a poem about a
winter landscape, which is described in substantial detail in the poem.
Symbolically, this landscape is an extended metaphor: its bleakness and
breakdown is attributed to the times of Western Culture in the era of the 19th
century. The narrator describes the atmosphere in a desolate tone, with minimal
possibility of rebirth or revitalization. In this sense, the poem can be termed
as an elegy for or of the Western world which has failed in taking care of its
own social and economical resources.
At the outset,
the speaker describes himself as standing at the entrance of a gate “leading to a coppice”. Then the speaker
compares the “tangled-bine stems” to the “strings of broken lyres”– “lyres”
derives an important fact that the western accomplishments of culture have now
become severed. The flourishing western culture is now broken like the strings
of “ broken lyres” and is entangled and
badly maintained like the “ tangled-bine stems”. The poet has given an implied
contrast between the warmth of the household fires and the cold and loneliness of
the speaker.
The second
stanza develops on the idea, with several metaphors that the landscape is now
reduced to a corpse. This is an embodiment of the death of the 19th century and
its culture. A comparison is laid between the landscape’s “sharp features” to “
The Century’s corpse”. The century has declined not only in the literary sense
but also in the cultural perspective. Since nothing is thriving, the fields are
barren and frost is covering everything. The poet has expanded the image
further by comparing the “ cloudy canopy” to a tomb and the wind’s sound to
that of a “ death lament”. The seeds of germ and birth are shrunken hard and
dry. Hardy has deromanticised nature by taking away even the capability to
mature.
These
conditions could have existed because of the Industrial Revolution which led
the farms being converted to factories. There are no remedies inferred by the
poet to address the present problem. Hardy’s speaker, however, finds no life in
nature. Even the thrush which is supposed to give a glint of hope is aged and
on its last song. Thus, the theme of nature and the decline of human
civilization is widely prevalent in the poem where dismay is emphasized more
than the joy.